Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Peter Severin Kroyer
bretagneflicka spritar arter

ID: 70479

Peter Severin Kroyer bretagneflicka spritar arter
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Peter Severin Kroyer bretagneflicka spritar arter


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Peter Severin Kroyer

Norwegian-born Danish Painter, 1851-1909  Related Paintings of Peter Severin Kroyer :. | holga bagge | hons under traeer ved madam bendsens gard | marie och vibeke kroyer stickar | osteria i ravello | marie og vibeke kroyer ved chatollet i hjemmet ved skagen plantage |
Related Artists:
Joseph Anton Koch
1768-1839 Austrian Joseph Anton Koch Galleries was an Austrian painter of the German Romantic movement. The Tyrolese painter left academic training in the Karlsschule Stuttgart, a strict military academy, and traveled through France and Switzerland. He arrived in Rome in 1795. Koch was close to the painter Asmus Jacob Carstens and carried on Carstens' 'heroic' art, at first in a literal manner. After 1800 Koch developed as a landscape painter. In Rome he espoused a new type of 'heroic' landscape, revising the classical compositions of Poussin and Lorrain with a more rugged, mountainous scenery. He left Rome in 1812 and stayed in Vienna until 1815, in protest of the French invasion. During this period he incorporated more non-classical themes in his work. In Vienna he was influenced by Friedrich Schlegel and enthusiasts of old German art. In response, his style became harsher, and this new approach had a wide influence on German landscape painters who visited Rome.
Harald Torsslow
(1838 -1909 ) - Painter
ROMANELLI, Giovanni Francesco
Italian painter, Roman school (b. 1610, Viterbo, d.1662, Viterbo). Italian painter and draughtsman. He was the pupil first of Domenichino, then of Pietro da Cortona; his work also shows the influence of Bernini (in some of whose projects he became involved) and of Poussin. His calm and graceful synthesis of these extremes of austere Baroque classicism and High Baroque ebullience was prophetic of the effects of the Roman Late Baroque and of the generalized style of public painting that spread throughout Europe in the late 17th century and the early 18th.






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